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A portable DAC/amplifier is a versatile piece of equipment. It accepts a digital input, converts it to analog sound, amplifies the signal and finally sends the music to the headphones. Since we are talking about portable devices, it should also be small enough to fit in your pocket.
The headphone jacks missing from the current phone lineup have also justified the use of an intermediate device (or Bluetooth connection) for headphone listening.
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If you need to plug something in, why not opt for a great sounding replacement? To help you out, here’s a list of our top picks for the best portable DAC/amp combos to choose from.
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We’re here to help with our recommendations for the best portable DAC/amplifier options, as well as a quick guide to comparing key features. Comparing technical data is important to make the right choice.
The Chord Hugo 2 is designed for both mobile and home use, with headphones or in a traditional audio system with line output and full functionality via remote control. Taking advantage of advances in digital technology, including the latest Field Programmable Gate Arrays (FPGA) and Watts Transient Aligned (WTA) filters, Sointu introduced a new generation version of the classic Hugo.
The Hugo 2 offers multiple digital inputs (optical, coaxial and USB) and extended range Bluetooth with high resolution file playback up to 768 kHz and up to DSD512 (Octa DSD) via the HD USB input. Analog outputs include two RCA jacks and a 3.5mm and 6.35mm headphone output.
In addition, the Hugo 2 has a filter with four functions (warm, soft, transparent and sharp) and a digital crossfeed function with three operating modes. Users who are always divisive will either love or hate the Chord’s signature styling and its four spherical control buttons that light up with color-coded information.
Best Portable Dac/amp Combos
The Hugo 2 usually has a natural tone, but can be sharper when paired with brighter headphones. It’s a trade-off for exceptional clarity, but some listeners may want a thicker low end. Spacious and decisive, the Hugo 2 is a great example of what a portable audio device can do.
The Honey H1 uses the AKM AK4497 DAC chipset to maximize wide dynamic range and deliver ultra-low distortion for IEMs and headphones.
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While the Hugo 2 supports 32/768 and DSD 512, the Honey is rated 32/384 and DSD128. If the Hugo has 2 cheeky glowing round balls, the Honey is much more subdued and industrial, clad in a blue aluminum brick with gold connectors and a volume control.
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Honey’s sound is characterized by being dynamic and lush. The mid-range frequency performance is the star of the show, with great detail on display. There’s plenty of power for high-impedance headphones, but the Honey can also power IEMs sensitively.
Luxury & Precision W2 supports 32/384 and DSD256 players with two CS43198 chips. Thanks to the balanced power, the battery power is almost 10 times higher than the power of other cheaper dongle options. In addition, the W2 has a handy display, which you rarely see with devices of this type.
The higher output power of the W2 means that the output has better dynamics and low oomph than less powerful mini-DACs/amplifiers. This extra height is seen at moderately inefficient loads. However, if you have very long listening sessions with powerful IEMs, a lower power device may be a better fit. The W2 allows for a much greater number of successful pairings between headphone and amplifier in a highly portable format.
The DACport HD is a revised, more powerful version of the original (and now discontinued) classic model. Combining the AKM4490 chipset with a custom Class A headphone amplifier, the DACport HD achieves an impressive output power of 337 mW (single-ended @32 ohms) in a small battery-free dongle.
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Class A is known for its fatness and powerful performance, and the DACport HD is no exception. It has great dynamics and can seem quite advanced with lots of high end energy and sparkle. DACport HD is a real champion with a reasonable headphone load, taking advantage of its strengths: detail and power.
Unfortunately, the DACport HD has drawbacks such as heat generation and high battery consumption, both of which are a direct result of the power-hungry Class A amplifier.
The Questyle M12 is a dongle-style DAC/amplifier based on the company’s Current Mode Amplification technology and features the ES9281AC Saber DAC chipset with 32/384 and DSD 256 support. It combines decent power output with MQA and is a more complete option for streaming users than the DACport HD.
The M12 automatically detects the impedance of the connected headphones and adjusts the output accordingly. It’s a small aluminum block that comes in wild colors like ‘Classic Black’ or ‘Stylish Silver’. There are also multicolored confirmation and file type indicators, but no buttons or controls.
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Diablo’s price tag is almost 50% higher than their previous high-end portable model (micro iDSD Signature). It also lacks X-Bass and 3D+ features, has a Ferrari red paint job and has a shockingly high power output (~5W @ 32 ohms). Suffice it to say that Diablo is something very new to iFi.
The Diablo is a TOTL device and fittingly comes with an excellent range of accessories including a USB iPurifier3 (limited to the first 1000 Diablos), an iPower source and an iTraveller case, not to mention cables, adapters etc .
The Diablo uses two Burr-Brown DAC chips in combination with a new 16-core XMOS chip to handle full decoding up to PCM 768 and DSD 512. iFi jumped on MQA support with both feet and co-created the optional GTO digital filter. with the MQA team.
With maximum power (rated @32 ohms) of 4.98W (balanced) and 2.5W (single-ended), the Diablo is in a league of its own when it comes to portable amps. Hell, it puts most desktops to shame.
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However, this isn’t a device meant for the most powerful IEMs – and it easily outperforms them without the iFi iEMatch+ (surprisingly not included).
The S9 PRO is an updated version of the acclaimed (and now discontinued) S9 model, featuring a new DAC chipset (ESS ES9038Q2M) and more power output in the same physical form factor.
The S9 PRO is a small (black or silver) aluminum brick with a single glass-like surface bearing its name and decoding capabilities. On one side is the Hidizs logo, which changes color to reflect the currently playing file format.
One of the short ends has both balanced 2.5 and single-ended 3.5mm outputs (and a bump to match), and the other has a USB-C connection.
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The timbre is on the bright and detailed side and sounds lighter than warm. The S9 has no noticeable noise and is rated at around 200 mW (@32 ohms balanced), so it can drive most full size headphones at too loud volume with good accuracy.
While the Hidizs S9 PRO can play 32/768 and DSD512, the Apogee Groove can only play 24/192, not DSD. However, it beats the S9 PRO by 225mW (@32 ohms).
Groove is designed to bring studio-quality sound anywhere with a small portable device. But Groove’s high power also means that it also consumes power and consumes a lot of the source device.
While the modest specs don’t necessarily mean that, the Groove is capable of excellent sound reproduction, combining a linear frequency response with excellent imaging and detail.
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Apogee uses current shaping (rather than traditional voltage shaping), which has the unusual effect of creating a high (20 ohm) output impedance. This makes the Groove suitable for powering high-impedance headphones rather than high-power IEMs, especially those with multi-driver balanced armatures (Apogee warns against this pairing).
IFi Go blu meets IF standards as a device packed with great sound and great features, but this time in a very small (27g), rubber and aluminum package. Without typical volume knobs, Go blu offers a visible multi-function potentiometer knob on the side.
It also has a single-ended (3.5mm) and balanced (4.4mm) output, a USB-C charging and data port, a Bluetooth pairing/XBass/XSpace button, a microphone, and an on/off off switch.
Go blu is an all-in-one device, from a wired DAC to a Bluetooth receiver, it can even turn wired headphones into wireless headphones. The latest Bluetooth codecs are supported, including SBC, AAC, aptX Adaptive, aptX HD, LDAC and LHDC.
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A big gain is the lack of channel imbalance at low volumes, a common problem with cheap potentiometers. Due to its small size, you might underestimate the driving power of the Go blu, but with a balanced output of 245mW (@32 ohms) it can handle fairly powerful headphones and IEMs.
In general, the sound can be a bit thin with harder to control headphones, but when paired properly, the Go blu provides a clean and smooth audio signal.
The Go blu supports 24/96 via the Cirrus-Logic CS43131 chipset, while the Qudelix-5K Reference DAC/amp does the same with two ES9218P Saber DAC chips. Quidelix prides itself on being a technical partner in the development of the Sony LDAC Bluetooth codec, so it’s no surprise that the 5K has excellent wireless connectivity and performance.
5K has 80mW single-ended and 240mW balanced (@32 ohms)
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